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To explain this, first I need to tell you about A Man Who Defies the World of BL.

A Man Who Defies the World of BL (Zettai BL ni naru sekai VS Zettai BL ni Naritakunai Otoko, I'm shortening it to Zettai BL) is a manga by Konkichi and the concept is that the main character is a self-aware background extra in a BL manga-- in every BL manga, somehow, as he is surrounded by couples on all sides and even his little brother managed to raise a flag with a classmate. Worst of all, plain-faced protagonists are becoming more popular these days, so this poor heterosexual trapped in a world where women have blurry and undefined faces has to be very careful to avoid ending up in a BL plot of his own. It's very funny and got a hilarious live action adaptation as well.



In the world this unnamed protagonist inhabits, BL plots and tropes are just constantly beseiging him. Karaoke, drinking parties, Valentine's Day with no girls present, fudanshi classmates. Not only that, but all of his friends are (not-so) secretly dating, and they take turns fighting in a way that makes protag wonder "are your books coming out one after each other?" Every chapter has the protagonist battle a different trope or cliche.




When I first picked up Sasaki and Miyano by Shou Harusono, I thought, "this reads like it takes place in the Zettai BL universe."

Protagonist Miyano is a fudanshi (check) at an all-boy's school (check) who attracts the attention of handsome delinquent(ish) upperclassman Sasaki (check) who calls him by the feminine nickname Myaa-chan (check) and whose classmate Hirano definitely has something going on with his roommate (check, check, check!). Sasaki and Miyano is practically bursting at the seams with BL tropes. It is the distilled essence of 2020s BL, the heart and soul of it, what you'd get if you fed every popular high-school-setting BL manga into a neural network AI and told it to generate a BL by itself.

And by god, does it work. I inhaled the main series and its spinoff within a couple of days, quickly getting sucked into the predictable, familiar beats of their extremely mundane love story. What makes Sasaki and Miyano work so well is that there is both a bare minimum of self-awareness of how tropey the setup is (thanks to Miyano's fudanshi genre-savviness), and a sincerity that makes me want to root for these kids. I love how despite talking about seme/uke dynamics in the BL they read in universe, Sasaki's never aggressive or violent towards Miyano, and rarely possessive. He treats Miyano with respect, and I can feel how much they genuinely both care for each other. I love that. I love love.




"Masha were you planning to post this on Valentine's Day" I had no plans to post anything at any point I just started typing in a fury at 11 pm one day and now you must all bear witness to it.




Anyway.

The spinoff Hirano and Kagiura somehow possessed me to the point I found myself hitting the next chapter button over and over wondering why there was nothing else and trying to get my hands on the untranslated Japanese chapters and seeing if I'd learned enough from Duolingo to figure out what was going on because I just needed more that badly. And it's still nothing new, nothing groundbreaking, nothing inventive or original. It's not brilliantly executed, it's just funny enough and weird enough and cute enough that I cannot stop.




Sasaki and Miyano got an anime adaptation that's airing on Funimation right now, and I wonder if anyone totally new to BL has picked it up. I wonder what it's like to read a comic like this without having read dozens of comics like it already. I love reading things that are just like other things I've read and loved, but what's it like to experience these classic scenarios for the first time?

Anyway, I like it and recommend it. It has approximately nothing in common with actual gay life (and unfortunately does do that annoying "I liked a girl in middle school so I can't possibly like boys" thing) but! It's cute! And enjoyable!

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I am haunted at times by memories of Rumspringa no Joukei by Azuma Kaya.

Today I am specifically being haunted by my dear friend retweeting a tweet I made about it when I read it almost two years ago no, but in general, I am haunted by Rumspringa no Joukei.

Once upon a time a friend of mine tweeted a recommendation for a BL comic about an Amish boy and a dancer they'd just finished reading. This friend grew up in Singapore. I grew up twenty minutes away from Amish country and have spent a not-insignificant amount of my life in Lancaster county, as well as driving through the rolling hills on various road trips and buying delicious pretzels from the Amish and Mennonite farmers at the nearby farmer's market. I don't know a whole lot about Amish people and culture, but I know enough and am geographically close enough to it for Rumspringa no Joukei to feel like looking at a stranger's vague impression of my backyard.
And it is a vague impression!
Rumspringa no Joukei (literally "the scene of my rumspringa") is a comic nominally set in Pennsylvania in the 1980s in which an Amish boy named Theo on his Rumspringa (a time when Amish adolescents leave the community and experience the outside world before deciding if they want to stay in the community or leave it) encounters a young rent boy named Oswald (nicknamed Oz) with dreams of making it big on Broadway, and then they Fall In Love and have lots of well-drawn sex. It takes place in the 80s because the author wanted to have Oz's dad die in Vietnam during the moon landing. AIDS is never mentioned, despite the story taking place within the gay community in the tristate area in the 1980s. There's also a recurring metaphor using rainbow trout, for some reason. A lot happens in this thread!
The author cites two entire books as sources for her research on this manga: a photobook of Amish life, and a Japanese book about Amish culture. But she apparently did not do any other research about America in general in this time period, and it shows.

The part that struck me immediately on my first read through and the tweet that my friend retweeted today was this sterile diner in the second chapter that looks nothing like any diner I've ever seen in the tristate area.

Image

Though the landscapes of the settlement Theodore lives in are rendered in loving detail, probably from that photobook Azuma cited as reference, the environments of the urban location Theodore and Oswald lives in are generic and stale, making Theo's decision to run away with Oz in the name of True Love a bit harder to believe.

The characters in this comic are gorgeous to a fault. I mean that literally- don't most Amish men have beards?? Why don't Theo and Danny have beards?! Is it because beards aren't cool in BL? Yes, probably, but come on.


page from comic



This comic is very beautiful but the story is constructed out of tissue paper and dryer lint. The characters would be good if they were cut out and pasted into a completely different setting. I don't expect this comic to ever get licensed in English because, to anyone with even a passing familiarity of Amish culture and the tristate area in the 1980s, this comic will just feel wrong. Although it might sell well on the sheer novelty factor, because every time I tweet about it I get multiple replies saying "AMISH BL?!!? WHAT??"

But if you don't have that familiarity, check it out! It's pretty! I do admire Azuma's decision to boldly go where no BL has gone before, even if it's criminally underresearched as an excuse to shove all her favorite tropes into one comic.

And if you do know things about the Amish, may this haunt you like it haunts me.





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 Pi using Dreamwidth has inspired me to start using Dreamwidth. So uh, hello world, and so on. Let's go.

So I have this group chat with 3 friends where we talk about topics such as queer animanga fandom trends, zine discourse, indie comics, and other fun things. One of the things that I made the groupchat to discuss and that we've continued to discuss because it's inherently hilarious is "girl yaoi", the idea that the strongly codified seme/uke dynamics, tropes and visual language of the late 90s/early 2000s yaoi manga subgenre can be applied to a relationship between two female characters. And as every action has an equal and opposite reaction, "girl yaoi" must have a counterpart in "boy yuri."

And I believe I have found examples of both of these things!  Allow me to present my findings to the court.

Kase-san and Yamada by Hiromi Takashima (specifically the sequel manga to the original Kase-san, where the yaoi-like traits become more prominent) is an example of "Girl Yaoi" by depicting a tall, athletically gifted and posessive brunette courting a petite, submissive and passive blonde. This echoes the classical seme/uke dynamic common in old-fashioned yaoi manga. In the story, Kase is constantly jealous of Yamada interacting with new friends or random boys, and while her jealousy does negatively affect both of their lives, it's never presented as a flaw Kase needs to overcome.
Kase-san being jealous of some guy who was talking to Yamada.
But where Kase-san's yaoiesque nature truly shines is in its commitment to "no climax, no plot, no meaning".
The story drifts through Kase and Yamada's college days with little in the way of overarching plot tensions-- events happen, people feel things, but there's no urgency that keeps the reader engaged. It's a manga for people who like to see cute girls doing cute homoerotic things, which is valid. There's better comics for that out there, but I am not here to judge other people's tastes. I am here to argue that in replicating tropes and dynamics common in yaoi in this GL manga, Takashima has created the rare and elusive "girl yaoi".

Now for the "Boy Yuri."

Old-Fashioned Cupcake by Sagan Sagan is "boy yuri" because I read it and thought "Wow, this is exactly like every manga tagged with both 'OL' and 'yuri' I've read on dynasty-scans in the past month but with two dudes." As I am conscious other people do not compulsively check the front page of dynasty-scans on a near-daily basis, I shall elaborate on what I mean by this. Old-Fashioned Cupcake is a fairly obscure, short BL manga about two office workers who start going out to eat fancy sweet treats in cafes popular with young girls in an attempt to make one of them, who's approaching forty, feel young again. (The younger guy is 29). The things that make Cupcake "boy yuri" are its preoccupation with balance and reciprocity in a way that reminds me of working-woman-yuris like Still Sick or Donuts Under a Crescent Moon, the slow build of sexual and romantic tension, and the unexpected recurring thread of Gender that comes up in Nozue and Togawa's conversations with each other. Nozue doesn't just want to be young again, he wants to be a young girl, silly and frivolous, taking selfies and having girl talk.
page from old-fashioned cupcake depicting the scene I just described

It's a very unusual angle for a BL to take, which is why it feels more like yuri, and also, like yuri for lesbians. 

This concludes my presentation for the day. Thank you for reading. I will be back with more takes too niche for professional media criticism sites and too long and weird for twitter threads... eventually.

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