mozaikmage

It was a very slow month at work so I got a very normal amount of reading done! Structured in order of when I read them, because I have a narrative arc in the middle there.

Check back in with me next month when I read... probably less, because our busy season is starting up again and also I have less hours in March for some reason and I mostly read at work lol.

Here are once again my books of the previous month in reverse chronological order because that’s how Storygraph sorts them!

I read 15 books and no VIZ manga volumes because I got COVID and had no motivation to do anything at all for a good chunk of the month there.
If You Could See the Sun by Ann Liang- god she's so funny. Funniest YA writer working today. Really well-drawn portrait of a very specific environment, really clever gimmick and way of using it. All of the characters felt believable and varying degrees of likeable, and I really felt for Alice's struggles. I can't believe this was her first book. And she was still in college when she wrote it! What am I doing with my life. Also I just realized the title is a pun lol.

Wellness by Nathan Hill- Sad, but also funny. Some of the psychology stuff was interesting. The length of the bibliography was also interesting. It’s kind of refreshing to see a novel with so much research put into it. I think I liked it overall, but it’s hard to tell.

How to End a Love Story by Yulin Kuang- Sex scenes were pretty good, if het. Somehow very obvious the author is an experienced TV writer but a debut novelist. A little weird that the characters are from a similar part of the country to me, but not as weird as reading Suburban Dicks. I don’t know if the whole... dead sister thing is handled as well as I’d like it to be. I also kind of wanted it to be more about the TV show than their personal lives lol.

The Price of Salt, or Carol by Patricia Highsmith- Slower-paced than I expected it to be. Also less explicit than I thought it would be. And a lot more focused on both the roadtrip and Therese’s life ambitions. The happy ending was sweet though.

Flung Out of Space: The Indecent Adventures of Patricia Highsmith by Grace Ellis and Hannah Templer (reread, because I’d started reading Carol and thought wait what was her life story again)- Ughhh still so good so beautiful and well-paced we have no choice but to stan (Ellis/Templer, not Highsmith) etc.

The Wake-Up Call by Beth O'Leary- Cute and funny! Both of the leads made sense to me, and their relationship developments also made sense. And the premise was really fun too. I liked this one.

The Sentence by Louise Erdrich- Read it because my girlfriend read it and asked me if it was accurate about working in a bookstore. Unfortunately the bookstore I worked at is a lot worse than most bookstores, so I couldn’t really say. Hard to read when in the middle of having COVID, which was when I had it checked out.

Funny Story by Emily Henry- If I had a nickel for every book I read in August with a male protagonist raised by a narcissistic mother, I’d have two nickels (the other being Wellness) which isn’t a lot but it is weird it happened twice. I did enjoy this one, but I’d put it in the middle of my Emily Henry tierlist (Book Lovers and Beach Read are my favorites, personally.)

Hilariously while I was reading it at work some patrons walked by carrying Funny Story tote bags and I mentioned this to them and they said they were a bunch of bookstagram friends meeting up together at my workplace. Wild.

A Study in Drowning by Ava Reid- I liked this more than I expected. The oppressive cold wetness was a very strong vibe for an atmosphere, and I liked the worldbuilding even though it felt kind of decorative. I had a hard time buying that everyone was just sooooooo obsessed with this one recently-dead author, though. I feel like it normally takes a little longer for someone to become a classic. The romance was okay.

Reboot by Justin Taylor- I’ve been thinking a lot about Extremely Online Books (as an extremely online person) and I think where Reboot and Exalted work and where My First Book (Honor Levy) and Fake Accounts (Lauren Oyler) don’t is the specificity of the way they are both online. By not trying to portray every single way someone can be Online, they portray an Onlineness that feels real. I did enjoy Reboot, though it is absolutely not a “voice of my generation” book on account of it is at the very least the voice of the generation before mine. I thought it would be more Bojack Horseman-like but then they referenced Bojack and I realized it was not that at all. Also, it has scenes, in which characters interact with each other and say words, and sentences of different lengths instead of all annoyingly short sentences (Levy) or all painfully long sentences (Oyler). Or maybe I’m just bitterly resentful of the fact that someone my age got a book out already and that’s why I’m so annoyed with Levy and her onlineness. 

Half a Soul by Olivia Atwater- I can see the influence of JSMN on this, so it’s a good thing I read that one first. I thought it worked well, the romance felt believable and the more fairytale aspect worked for me. I wish the aunt who sucked got more retribution in the end though.

Women of Good Fortune by Sophie Wan- Generally pretty fun and interesting choice of setting, but I feel like Jane was a little too hard to like for too long. Also Lulu should’ve been a lesbian sorry.

Jonathan Strange & Mr Norrell by Susanna Clarke- Extremely elaborate lore, dryly funny, the footnotes and all the fairy stories and the fairy world stuff was all really imaginative and interesting but the commitment to that 1800s aesthetic made it dense and kind of difficult to read. I felt like it took me forever to finish reading it, even though I did enjoy it all the way through.

The Self-Made Widow by Fabian Nicieza- I can’t talk about this book in too much detail without doxxing myself. It gave me psychic damage. The plot worked for me, and the ending was satisfying. Otherwise. It sure is a book that takes place in locations that exist. Including. My fucking workplace!!!! How's that for a jumpscare!!!
Personal update: thinking real hard about Querying my Book and getting scared and going back in to revise it again. Signed up for the Daisuga big bang. Finished a comic and got it printed in time for Flamecon and Anime NYC, then got COVID and missed Anime NYC.

Every time I open up the dreamwidth post editor my brain goes blank. I have vague half-ideas for posts and then I try to actually make one and I feel like I have nothing to say anymore. But I’ve been doing a lot of stuff!

Mostly, I’ve been trying to write a bunch of books. I’m just kind of throwing everything at the wall and hoping something sticks: something becomes Novel Length instead of novella length, something is good enough I can try sending it to an agent, something is worth Publishing. I want to be Published. As much as I love printing off minicomics in my room, I want money, and an audience of people who are not personally friends with me, and a career that’s not just selling 5 zines at a fest once every few months, and I want to be published more than anything else and to get there I need to Finish A Book, dammit!

I’ve been working on a comic with an editor for a certain publisher and just pitched a different comic to someone else, so I haven’t totally given up on that front either, but prose seems to be easier right now.

My dear beloved bestie AO3 user pepperfield and I are also trying to write a book together! We wanted to cash in on the romantasy trend, but neither of us are at all into the big popular tropes of the genre, so after discussing what we actually like to write we’ve arrived at a wildly convoluted magic school mystery story with a romance subplot we’re struggling to make actually romantic (even though we met through writing shippy fanfiction?!).

So to try and figure out how to write a Kissing Book, I started reading Kissing Books. Or, reading more of them, with the intent of learning the structure and market around them. I’ve always liked romance novels, and a lot of good shipfic is basically just a romance novel with characters I already met somewhere else. But now I was reading them on purpose.

I also read Romancing the Beat, which I’ve heard referenced a lot. This ruined my enjoyment of several less good romance novels, because a shocking amount of writers stick to this outline like glue and once you can see the strings you never stop seeing them.

And so, some lightning reviews of romance novels I’ve read recently:

Iris Kelly Doesn’t Date: I read the first two books in this trilogy a while ago and remembered really liking them, but either this one was noticeably worse or I raised my standards.

Good: Sapphic! Sex scenes were hot and believable, love interest doesn’t wear makeup or dresses often (the closest thing to a butch tradpub romance novels can handle without getting scared)
Bad: Surface-level diversity. Side characters are introduced like “The Japanese-American Pansexual Nonbinary Individual walked into the bar” and then none of those things ever come up for them again. Side characters new to this book and not introduced earlier in the series (the love interest’s friends) feel underdeveloped. Love interest feels underdeveloped, especially her relationship w/her family
Strange: Very uhhh. Pride Merch queer and yet it takes place during pride month in a major metropolis and none of them go to a pride parade?
Neutral: This author very clearly read romancing the beat and followed every single step of it.

I’m probably being extra harsh on it because it’s f/f and thus I want it to be perfect and exactly what I’m looking for, and I’m disappointed that it isn’t.

Something to Talk About: also sapphic but its greatest crime is: it’s boring, not funny, and the emotional continuity of the relationship makes no goddamn sense. The third act breakup is prompted by the stupidest argument imaginable.

Between Us (Mhairi McFarlane): het, sort of follows the Romancing the Beat outline but is much less cookie-cutter about it. I found the plot of the “screenwriter BF steals her life story for his TV show, turns out to be a huge gaslighting liar” extremely propulsive and compelling, like I just couldn’t put the book down, I had to know what other bullshit this guy was gonna pull next and how the protagonist was gonna catch him! I really like McFarlane’s writing. Biggest downside to me is that the protag had one Lesbian Bestie who was also the only character without any kind of romantic subplot or personal arc going on. :(

Red String Theory: The love interest was boring and not grumpy enough for a grumpy/sunshine duo, and the main character had shades of Manic Pixie Dream Girl in how she transformed his life. The general concept was interesting but the execution was not great. Somehow every single named character in this book was either half-Chinese American and half-white, or the Chinese American relative of the two leads. Which I understand is the author’s personal background, but it does seem like a weirdly limiting kind of world.

High Fidelity: not a romance novel but a literary novel about a heterosexual romantic relationship, starting with the breakup and ending with them getting back together. Not subject to the Romancing the Beat outline. Insanely well-crafted, from the perspective of a Guy who honestly kind of sucks but is so eloquent about why he is the way he is. Very pleasurable read– not exactly pleasant, but like, I had a lot of fun reading.

Yerba Buena: Also more of a litfic with romance elements, but the romance honestly felt kind of pasted on. I've heard a lot of good things about Nina LaCour, but I didn't really like this one. Very... joyless, lot of bad/sad things happening and little humor. The two leads Instantly Connected At First Sight but we don't get to see them spend a lot of time together or what attracts them to each other-- we see a lot more of Emilie's relationship to the married restaurant owner than her relationship to Sara. Also, LaCour has a lot of sentence fragments of the "She did a thing. Did the thing more" variety and it got annoying after a while. As a litfic novel, I was expecting it to play with form more than it did. I did like that the flashbacks weren't symmetrical though.

Fourth Wing: I am in the “does not work for me like not even on a base id level not even a little bit” camp in regards to this one. I hate how little sense anything in it makes. I hate that the narrator says “for the win” twice like it’s 2008. Hate that there are characters named Kaori and Bodhi with no explanation as to how those names exist in this world. Hate how much time it took me to read all that.

I have a lot of ideas for what I want to write and what I want to put into the world, but I just haven't been able to make any of them happen, and it's been frustrating me. Maybe this will help me get there.